Today I’m Making…. everything

I’m in for the rest of the day today and avoiding cleaning the bathroom. So I’m making everything.

First of all I need to make this snood for a customer, it’s not far off being done so I’ll be able to post it on Tuesday when the post office reopens. I really like this cream version, it looks so fresh.

When I’ve finished that I’ll put this sparkly Gin Poodle together. Considering my shop is called Gin Poodle I’ve been very slack in actually making them recently so I’m trying to make one in between snood orders whenever I can.

Then I have this vintage jumper to knit for the most adorable customer, I’m not sure to start this until June but I’ve had a bit of capacity so I’m trying to get ahead of myself while I can. I made one of these in magenta for another customer so I’ve bought my own copy of the pattern from the excellent 1940s Patterns on Etsy because quite a few people asked me about it. I won’t make another magenta one though so please don’t all. I want my original customer to be the only one. If you’re thinking about knitting a vintage pattern yourself I cannot recommend 1940s Patterns enough as a source.

Then this will be a rather classy eau de nil Gin Poodle at some point. What on earth will I call a classy Gin Poodle?

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Vintage Patterns

For several years now I’ve been collecting vintage knitting patterns, I keep them all squirrelled away safely in folders but rarely actually knit them. This is madness. They’re gorgeous and deserve to be knitted, so this year I am not going to buy any more modern patterns and I am going to work through my vintage collection.

These are my most recent acquistions, most of them bought from Radio Days in Waterloo in their closing down sale but the booklet on the right was a gift from my dear school friend Carole (one of the best people you could hope to meet in your life and the author of many a jolly jape at school) and this is now one of my Precious Things that no one else will ever be allowed to touch.

Someone may need to remind me about this vow on Ravelry, and frequently. Speaking of which if you are on Ravelry say hello, I’m Ginpoodle there too (also Twitter, Instagram and Facebook).

Committing to knitting vintage patterns will also tie in nicely with my other new thing for 2018, I’m only going to buy British yarns produced by people who have no kill flocks like Hooligan yarn and Doulton Yarns when I knit for myself.

At the moment I’m knitting this little beauty for a customer, which I think I’ll be able to finish today and then I’m on to another mustard cardigan and then another one in biscuit. So that’s most of the year in vintage knits already. Actually thinking about it that’d means I only have another three slots available this year unless I give up work which isn’t really an option.

French Lavender 1940s cardigan

I’m working on another 1940s cardigan, this one is in soft lavender which is not a colour that suits me at all so I’ve never thought to make anything in this colour until a potential customer got in touch to suggest it.

Now I don’t know about you but I let personal bias affect everything I choose to make so it’s nice when someone gets in touch and prompts you to do something different.  So far I’ve made this cardigan in biscuit, black, mustard and now this lavender and I’d say it works equally well in light and dark shades.  I’m part way through making a navy one for me too but as that one is for me the chances of it ever getting finished are a fair bit slimmer than me.

So here we are – progress not quite to date because this is now very nearly finished.  I’ve knitted this in every spare minute and just have the button bands left to knit before I sew it up, these pictures are a random assortment of places and stages of knitting including at home, on trains, at concerts and at work (in my lunchbreak).

Marvellous Mustard 1949 cardigan

Yesterday, I finished making one of these cardigans from my Etsy shop – Ginpoodle.  I love this cardigan, it is made following an original pattern from 1949 that I have resized.  It is a lot of work but the stitch pattern is just so gorgeous and its very forgiving because the the stitch makes it quite stretchy.

First of all the customer requested a mustard colour in pure wool, so that meant several very happy hours online trying to track down a mustard colour wool in the right weight and in the right quantity.  Turns out there were very few options and the prices ranged from affordable to eye-watering.  The nicest shade of mustard turned out to be the cheapest one – hurrahs all round.  So off I go to order it, only to find out the colour is discontinued so there was only the odd ball to be had here and there. Disaster.  After a couple of days I managed to find an eBay seller who had it in stock so I hit ‘Buy Now’ faster than I’d move if you told me there was a free buffet.  The next day I received an email from the seller to say he didn’t actually have the quantity I’d ordered. Grrrr. Now at this point I know there is very little of this stuff to be had anywhere so I’m feeling a bit panicky, but then I remembered my usual snood yarn supplier also stock pure wool and thank god for them they had the same yarn, but on a cone. I love them so much.

All this meant that by the time the yarn arrived it was two weeks after I’d received the order so the delivery date had to be adjusted. That’s the thing with custom orders, if I need to order in a special colour yarn it will take longer to complete because of course I can’t start until I have the yarn in my hands.

This stuff was worth the wait though. This yarn is beautiful, the colour isn’t flat at all, it has tones of gold and orange that you only really see if you’re knitting with it, it just gives the most beautiful shade of mustard I’ve ever seen. Why they have discontinued the shade I don’t know because everyone that has seen it loved it.

It starts off with a teensy bit of ribbing, then goes into a broad rib pattern (note excellent nail colour matching that I am very proud of) before going into the cathedral stitch repeats.  Now, if you can see, they’re  like little lacework arches a bit like cathedral windows, I’m fairly sure I’ve seen this same stitch in a stitch directory somewhere with a different name so if anyone can jog my memory please do.

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The fronts of cardigans are nice and quick to do because they’re so narrow, which can lull you into a fall sense of security of how long its going to take you to make the whole thing because at this point you’re so pleased with your progress you’ve completely forgotten the way sleeves take over your entire life with no end in sight.  Look at this picture and you’ll see I’ve already started the back, I’m just at the start of the cathedral stitch.  I’m using my gorgeous KnitPro carbonz which I love despite the ‘z’ that should be an ‘s’ irritating me.  Normally that sort of nonsense would put me off buying them altogether but they’re so chic in black and silver and my partner works with carbon fibre so it makes me feel like he’s nearby when I knit with them.   At this point I really should have blocked those two front pieces because they look pretty ropey and uneven to my eyes until they’ve been blocked.

In rare moments when I was not knitting I read this book, several years after all the other knitters in the world have read it.  Its very funny indeed, if you are a knitter and you haven’t read it already please do get a copy, you’ll see yourself on every page.  The lighting in the middle pic is horrendous because that’s my desk at work, I’m knitting at my desk in my lunchbreak and everyone else is pretending that’s normal.  The third pic is back home with the back piece finished on my vintage trunk.

All I’m going to say here is… arrrrgh sleeve hell. Though as I was making them I realised a jumper with a plainish body and cathedral stitch sleeves would be lovely and I should make one for myself.  Remind me would you?

img_0537After sleeve hell comes blocking hell. I don’t know why I hate blocking so much but I do. I think it’s all those pins and stretching.  I always worry its going to ruin all my work or not dry properly and smell of damp.  This never ever happens, the knitting is always vastly improved and it does always dry much more quickly than you expect. But blocking always gives me The Fear.

Last week I visited the Knitting and Stitching Show at Ally Pally on the Wednesday, and despite having already bought about a ton of buttons in various colours and materials for this cardigan I bought these beauties from the Italian Button stand.  I couldn’t resist, they’re perfect aren’t they? There are 14 buttons on this cardigan. If you don’t like doing up buttons or are always in a frightful rush do not buy this cardigan.

I taught myself a better way of doing buttonholes too so they came out all neat and perfect first try, normally I oversew them afterwards but no need now.

So here it is, the finished cardigan.  I love it. I know I made it and its not very British to blow your own trumpet but I think it’s beautiful. I am very happy with it and fingers crossed it’s new owner will feel the same. The flat feels a bit empty without it.

 

Patons Hat Parade

At last I’ve finished making a hat from this gorgeous vintage pattern. There’s no date on the pattern but I’m guessing early 50s. What do you think?

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I got a bit over enthusiastic towards the end and started sewing it up without reading the instructions properly.  I always do that,  I never learn so once again this first attempt hasn’t come out exactly according to plan.

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I still love it though. I’m quite tempted to keep it for myself but it will probably be listed in my Ginpoodle Etsy shop at the weekend.  I’ll certainly make more in time.

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You can just see a couple of Ginpoodles in the background too. 

Next up is a soft grey crochet collar.